THE BEAUTIFUL OF INDONESIA IN MINIATURE PARK (TMII)

An extensive park to get a glimpse of the diverseness of the Indonesian archipelago, it represents Indonesia's provinces and their outstanding characteristics, reflected most strikingly in the exact regional architecture of the province. It has its own orchid garden in which hundreds of Indonesian orchid varieties are grown.

There is also a bird park with a walk-in aviary, a fauna museum and recreational grounds with a swimming pool and restaurants of special interest here at Taman Mini is the Museum Indonesia. A richly decorated building in Balinese architecture, it houses contemporary arts crafts and traditional costumes from the different regions of the country.

Indonesia in Miniature Park
Jl. Taman Mini I, East Jakarta
Phone: (62 21) 840-1687, Fax: (62 21) 841-1464
Email: info@tamanmini.com
Website: www.tamanmini.com

Aceh Pavilion

The fully engraved Aceh traditional construction is the original house of Cut Mutiah, an Aceh national hero who opposed colonialism. Although the house is more than 130 years old, it still stand strongly as it was before. The house is held by wood nails palm fiber lines. The entrance door uniquely located on the floor and opens inward

 

North Sumatera Pavilion

Four traditional houses are presented here. The Batak Toba house is the large and engraved house in red, white and black. The Batak Karo house is unique of its triangular roof. The Nias houses is in form of a ship, because Nias houses are originally found along the shore or river. there is also the Simalungun traditional house.

 

Riau Pavilion

Riau Pavilion presents three unique traditional houses each with its own typical design. Lipat Kijang house has a flat roof, Lontik house is in form of a ship and the magnificent. The exhibited elephant statute and Oil drill portray the wealth of the province.

 

West Sumatra Pavilion

The West Sumatera Pavilion is a complex of traditional houses, namely RUMAH GADANG, Balairung and Surau, each functions as the main house, meeting hall and place for Minang youths to pray. The large house which stands above pillars with palm fiber roof looks even typical with the buffalo horn like roof. The house it self is painted with vivid colors.

 

Jambi Pavilion

Jambi was the center of Melayu culture, as reflected in the form of the traditional houses which is named Rumah Betiang. The typical Melayu house stands above pillars and consists of eight parts. The part below the house was originally for animal breeding. The characteristic of Jambi pavilion is the large swan -like ship, Kajang Lako, which in the past was the vehicle of Jambi kings.

 

Bengkulu Pavilion

The pepper producing province presents four traditional houses as the main buildings. One is a model of the house of the nobility and the others are that of the common people. The three houses are built above pillars. It is in this province where the rare Rafflesia giant is found.

 

South Sumatra Pavilion

There are three traditional architectural styles presented in the pavilion of south Sumatra. Limas, Ulu and Rakit houses. Limas is the house which floor has many levels as to reflect the nobility rank of the dwellers. Ulu is a model of the houses of South Sumatran common people who live in the mainland. Rakit house, which can be broken down and rebuilt, is the dwelling place of those who live along the river.

Lampung Pavilion

The Lampung Pavilion presents two traditional houses, Nowou Balak a chief villages house, and Nowo Sesat - a meeting hall. Exhibited in the Nowou Balak is Pepadun which is the seat of the chief village. Above the roof of the Nowou sesat terrace are the grandeur umbrellas in color of white, yellow and red, and on the pillars are two symbol of Garuda, which use have been long known in this area.

Jakarta Pavilion

Jakarta, being the capital of Indonesia, is a metropolitan city with has the most rapid rate of the development in Indonesia. Foreigners and ethnic groups live in the city so the sense of Bhinneka Tunggal Ika (unity in Diversity) is clearly reflected. The main building of the DKI Jakarta pavilion is the base of the National Monument, the symbol of Jakarta. The two level building exhibited the living way of life the Betawi people in the past and present.

West Java Pavilion

The province of West Java presents a replica of Keraton Kasepuhan Cirebon, which in original was the palace of Sunan Gunung Jati, one of the nine Islam spreaders in Java. The beauty and richness of the West Javanese culture are clearly reflected in the pavilion, including the artistic and pleasant traditional resting house that is made of bamboo

Central Java Pavilion

The Pavilion of Central Java appears with a replica of the Pendopo Agung of the Mangkunegaran Surakarta palace as the main building. The building with the wide and magnificent roof, besides functioning as a reception hall can be used the perform a variety of the graceful Javanese dances. Other types of the traditional house presented are Tajuk Mangkurat, Joglo Pangrawit and Dorogepak, as well as three miniature of different temple surrounding them

Bali Pavilion

The province of Bali is represented with Puri - dwelling complex of Balinese Nobles, with Candi Bentar (temple) as the main gate. In the Front part is a hall for arts performance. There are part is the secret Padmasari- place of the king. The complex was built on the bases of Hastakosala-kosali, meaning harmony.


West Kalimantan Pavilion

Two traditional houses are built in this pavilion. The first is a replica of Istana Kadariyah made of yellow colored woods which makes it look magnificent. The real palace was built in 1771 in Pontianak. The second building is a Dayak traditional house called rumah Betang or rumah panjang which customarily is dwelled by tens of families. Meanwhile, there is only one entrance for one to get into house.

South Kalimantan Pavilion

The province is represented by a traditional house of the Banjar ethnic group called Rumah Lampung Mangkurat or Rumah Bubungan tinggi. The construction is built lengthwise and frontward and stands above pillars. The floor is of several levels in odd number. Although Islamic influences are strongly reflected in this region, Chinese influences can also be seen.

 

Central Kalimantan Pavilion

Presented in the pavilion are two traditional constructions, Betang and meeting hall, which are built above pillars. Betang is the traditional house of the Dayak ethnic group and is generally dwelled by tens of families. In front of the house is a cone shaped structure, Sandung, which originally function to keep the skeleton of the deceased.

 

East Kalimantan Pavilion

Most of the inhabitants of cast Kalimantan is the Dayak ethnic group, therefore the pavilion presents Rumah Lamin, a traditional house of Dayak people in general. The house is built above pillars and usually is dwelled by tens of families. It is constructed lengthwise and some than 100 meters long. The black painted house look so artistic with the typical bright colored east Kalimantan ornaments.

North Sulawesi Pavilion
Even though North Sulawesi has four ethnic groups. The province is represented by two traditional houses of Walewangko and Bolaang Mongondow. Entering the pavilion is a tall statue of person standing above one another. at another spot is the figure of the Cakalele war dance.

Central Sulawesi Pavilion

The main building of the pavilion is SAURAJA, house of the kaili nobilities who live along the coast. The unique building is named Tambi for sides of the roof are in form of a trapezium while the other two are in form of a triangle. The whole roof is pyramidal with a slope of 45 degrees. The house is supported by logs, which are arranged over one another, and the strength depends on the notches.

 

South Sulawesi Pavilion

The pavilion of South Sulawesi is easily recognized by the unique and typical form of the traditional house form Toraja. The house has its roof curving downward forming into a shape of the Wangka canoe. The wall is filled with paintings of geometric motifs. Other building presented are of the Buggis ethnic group, which house the various cultural aspects of the region

South East Sulawesi Pavilion

The pavilion present a replica of the Sultan Bone's palace. The 4 floors building is called malige and is built mainly of wood, without any nails nor pegs. It is supported by 40 poles strong and firm.


 

West Nusa Tenggara Pavilion

The province consist of two islands, Lombok and Sumbawa. The main building presented in the pavilion is a replica of the Sultan Sumbawa palace which has two floors with twin roof. The uniqueness of the building is the low ceiling entrance, so people entering the house must bow as a show of politeness.

 

East Nusa Tenggara Pavilion

The province chooses a common house of the region to be presented as the pavilion. Originally, the house stands above pillars with its roof made of thatched-grass. Here, the house exhibits a variety of Ikat weaving from Sumba which has unique and typical motifs. A statue of a Komodo - a rare species in form of a giant lizard, decorates the front yard.

 

Maluku Pavilion

Maluku is also known as the region of a tourism islands. Despite of the geographical situation, all of its aspect are united in a kredo of unity called Siwalima. It is why the pavilion present a Baileo, a traditional meeting place that has nine pillars in front and five on the sides. The stage in the house is a dancing and singing place of the Maluku young people.

 

Irian Jaya Pavilion
The Cendrawasih (a rare species of bird found in Irian Jaya) province present, two architectural styles. The first is the black and tall house that is fully covered with thatched - grass. The building is called Kariwari, which in originally functions as a place for veneration. The other building is a model of the Dani ethnic group, houses in form of a toadstool called Honai. Various traditional statues that are exposed in the pavilion bring and astonishment.

The Swimming Pool Park "AMBAR TIRTA"

 




 

The Flower Clock

The Flower Clock, Time is money, and time is life, is the message spelled out in the mammoth clock laid out and from in rich floral decoration at the park. We are reminded of the importance of time in our daily lives..


 

The Bekisar Garden

Bekisar Garden, Bekisar is a specific Indonesia fowl a cross breed between a green wild cock and a Kampung hen. The Bekisar garden is a place for Bekisar to breed.


 

The Asmat Museum

The Asmat Museum, the interior exquisitely decorated with unique carving of high cultural value. The Asmat Museum is dedicated to preserving a wide selection of original Asmat carvings.


 

The Graha Widya Patra Museum

The Graha Widya Patra Museum, is both museum and accumulated technology facility for all things related to the oil and gas industry



 

The Hierloom Museum

The Hierloom Museum was built in order to complete the image of the highly valued Indonesian culture seen from another angle, there are various kind of heirlooms and the philosophical meaning that is contained in it is closely related with the religious and cultural, system prevailing in the community.

 

The Information Museum

The Information Museum, illustrates the history of the world of information and news in Indonesia, and very meaningful with history of the culture and struggle in the efforts to get a deeper understanding of the Indonesia nation itself.


 

The Insectarium Museum

The Insectarium's Museum, shows that the variety of insects in Indonesia is the largest in the world. Several of them are relatively well known and are considered rare. The presentation of the collection used a kotak nampan (a serving tray box) that can detached and changed periodically.

 

The Komodo Museum

The Komodo shaped architecture of the Indonesia fauna museum, in the museum can be witnessed the rare and magnificent range of Indonesia fauna presented in lifelike preserved specimens, collected from throughout the archipelago

 

The Indonesia Museum

The Indonesia Museum, a three story building, adorned with relief picturing the Ramayana epic. Each storey introduces all aspects of the Indonesia culture, men and its environment in diversity, and art and craft.


 
The Science and Technology Display Center

The Science and Technology Display Center is designed to stimulate interest among the talented young, where they can comprehend the ways, why, and how of science's contribution to our lives.

The Soldiery Museum


The Soldieri Museum, houses dioramas of the struggle of the Indonesia people, for independence.



 

The Sport Museum

The Sport Museum, is a center maintaining a collection of sport artifact that serve to record the history of diverse sport that have been flourishing around the whole archipelago.


 

The Stamp Museum

The Stamp Museum, recalling the postal office's role in bringing Indonesia into closer contact with the whole world.


 

The Telecommunication Museum

The Telekomunication Museum, at the Beautiful Indonesia in Miniature Park Treasures the history of telecommunication in Indonesia.



 

Transportation Museum

Transportasi Museum houses a history of the development of transportation in Indonesia. The unique architecture symbolizes transportation in the future.



 

The Orchid Garden

Many kinds of orchids including the rare ones are collected in the ORCHID GARDEN. These park is a useful scientific research of flora, and orchid collector



 The Cactus Garden

Series of cactus species, dessert plant, are housed in the CACTUS GARDEN kept in a dome shaped building. The penetrating sun guarantees the required temperature


 

The Bird Park

The Bird Park here in a big park the birds are protected and can raise their families on peace. The sweet sound of birdsong, their fiery flashes of color as they dart trough their huge open aviary, and the comfortable facilities of the bird garden, is worth enjoying.

 

The Taman Among Putro

THE TAMAN AMONG PUTRO, a children recreation centre.




 

The Fresh Water Aquarium Park

The Freshwater Aquarium Park presents 500 fish species, the number of exhibited fishes belong to the rare species that are very specific.



 

The Golden Snail Theatre Flower Gardens

The Golden Snail Theatre Flower Gardens, this beautiful flower garden tells the story of a fabled golden snail The story and the garden share common themes of fine character; service, faithfulness, perseverance, fortitude, and the story of unending love

Source : jakarta-tourism.go.id

JAKARTA HISTORICAL MUSEUM


Jakarta History Museum Located in the historic Old Jakarta Kota area, Taman Fatahillah square offers three of the city's most interesting museums. Once the heart of the colonial administration in the 18th century the square underwent a major restoration in the 1970's. A fountain in the middle of square once as the main water supply for the former colonial capital. The Portuguese cannon on the north side of the square is reportedly an impressive font of fertility. Jakarta History Museum is the one displaying the history of the development of the City of Jakarta, both the events and the community, from the prehistory until these present days. This museum is located in a building of cultural property which in the past known as Stadhuis, the City Hall of Batavia. As written on an inscription of the Museum collection, the building was constructed in 1707 by the city government of Batavia during the period of VOC and Governor General Abraham van Riebeeck inaugurated it in 1710. This building is located in front of a park, which in the past was known as Stadhuisplein, the City Hall Park, and now it is called Taman Fatahillah.
Since 1970, the surroundings of Taman Fatahillah have been declared as Cultural Property and it was totally preserved. This effort was the beginning of the development of the historical area of the City of Jakarta, carried out by the Government of DKI Jakarta. The Museum of History of Jakarta was inaugurated on 30 March 1974 for being the center for collection, conservation and research for all kinds of objects of cultural property related to the history of the City of Jakarta and at the same time becomes a center for education, study and recreation for the community. Due the very long course of the history of Jakarta, the collection of this Museum are highly varied in shape and consist of objects being the heritage of the prehistorical period until the beginning of the 20th century. 
There are another replicas of the Tugu Inscription from the age of Great King Purnawarman, forming evidence that the center of the Kingdom of Tarumanegara was located in around the seaport of Tanjung Priok. Further, a map of the 16th century and the replica of the Padrao monument of the Portuguese represent the historical evidence of the age of Sunda Kelapa Harbor. The period of Jayakarta is the beginning of the establishment of the City bronze cannon and through various drawings and maps of the 17th century. Furniture collection of Betawi style from the 17th, 18th and 19th century is the richest collection and belongs to the most complete one in the world. This collection is very interesting since the association reflects of the community of Batavia City with various cultural elements from Europe, especially Dutch, China, India and Indonesia.

Source : www.indonesia-tourism.com

MuseumWayang (Puppet Museum)


Puppets Museum 

Jl. Pintu Besar Utara No. 27 West Jakarta
Phone: (62 21) 692-9560 / 692-7289

This artistic building at Jalan Pintu Besar Utara no 27, West Jakarta, was built in 1912, previously as land of a church which was built in 1640 under the name of De Oude Hollandsche Kerk (The Old Dutch Churh). In 1732 it was renovated and its name was changed into De Nieuwe Hollandsche Kerk (The New Dutch Church). The church building was once totally destroyed by an earthquake. Bataviasche Genootschap van Kunsten en Wetenschappen (Batavia Society of Arts and Sciences), that was an institution dealing with science and Indonesian culture bought this building.


This building was then delivered by this institution to the Stichting Oud Batavia (Old Batavia Foundation) and on 22 December 1939. It was made a museum under the name of Oude Bataviasche Museum (Old Batavia Museum). In 1957 this building was delivered to Lembaga Kebudayaan Indonesia (Institute of Indonesian Culture) and on 17 September 1962 it was delivered to the Ministry of Education and Culture of the Republic of Indonesia, which later was delivered to the DKI Jakarta Administration on 23 June 1968 to be made Shadow Puppet Museum, which inauguration was carried out on 13 August 1975.

Shadow Puppet (commonly known as wayang) in Indonesia, especially on Java Island, was originally a product of the Royal Court culture. It was first used as an instrument of worship to the ancestors, and after the Hindu culture entered Indonesia in around the 5th century, it developed shifting of values.

The world of Indonesian shadow puppet got characteristically influence especially in term of story, like the Ramayana (the Story of Rama) and Mahabharata (the Great Bharata), making the form of presentation keep on changing and with wider range in performance and in the theme of the story. In its later development the Indonesian shadow puppet had become a such tradition, that it has been capable to hold out in the supporting community consisting of various elements. Visitors of this Museum are invited to know various characters, attitude and behaviour of the story from various regions through the performance of shadow puppet that has weight of high value in our culture and viewing a number of collections of shadow puppet like wayang kulit, wayang golek, patung wayang, topeng wayang, wayang beber, wayang kaca, gamelan (traditional music instrument set) as well as wayang paintings.

This Museum also displays various collections of wayang and dolls from friendly countries like Malaysia, Thailand, Suriname, China, Vietnam, France, India and Cambodia. It is not merely to be an object for recreation, study for students/ devotee can be carried out in this Museum, and this Museum even can be used as venue for training, documentation center and research on shadow puppet, and it can be used as inter-regional and international media on cultural knowledge. To support its existence, in this Museum wayang staging and attraction of wayang making are periodically organized.

Opening Times:
The Museum is open from 9.00 am to 3.00 pm on Tuesday to Sunday.
The Museum is closed on Monday and Public Holidays.

Time performance:
Every Sunday from 10.00 am to 2.00 pm

Kind of puppet performance:
Sundanese doll puppet, Betawi leather puppet show, Javanese leather puppet show.

Entry Ticket
(Perda 3/1999)

Personal
Adult Rp. 2.000,-
College Student Rp. 1.000,-
Children/Student Rp. 600,-

Group
(Min. 20 person)
Adult Rp. 1.500,-
College Student Rp. 750,-
Children/Student Rp. 500,-

Transportation to the Museum:
Bus Way, Blok M - Kota
Mikrolet M-12, Senen - Kota
Mikrolet M-08, Tanah Abang - Kota

Mikrolet M-15, Tanjung Priok - Kota

Source: jakarta-tourism.go.id

JAKARTA OLD TOWN




The former Stadhuis (help•info) (Town Hall) of Batavia, the seat of Governor General office of VOC during Dutch East Indies. The building now serves as Jakarta Historical Museum (Museum Fatahillah).

Jakarta Old Town (Kota Tua Jakarta), also known as Old Jakarta, and Old Batavia (Oud Batavia), is a small area in Jakarta, Indonesia. This special region spans 1.3 square kilometres of both North Jakarta and West Jakarta.

Dubbed "The Jewel of Asia" and "Queen of the East" in the 16th century by European sailors, Old Jakarta — or Batavia, as it was named by the Dutch — was once considered a center of commerce for the whole continent due to its strategic location and fertile resources.
History
In 1526, Fatahillah sent by Sultanate of Demak, invade Hindu Pajajaran's port of Sunda Kelapa, then he change the name of the port to Jayakarta. This town is only 15 hectare in size and rendered in traditional Javanese coastal city. In 1619 VOC destroyed Jayakarta under the command of Jan Pieterzoon Coen. A year later VOC build a new town named "Batavia" to honor Batavieren, the Dutch ancestors. This city centered around east bank of Ciliwung river, around present day Fatahillah Square.
The inhabitant of Batavia are called "Batavianen", later known as "Betawi" people, the creole ethnic, the descendants of mixed various ethnicities that has inhabited Batavia.
In 1635 the city expanded towards west banks of Ciliwung, on the ruins of former Jayakarta. The city was designed in European Dutch style completed with fortress (Casteel Batavia), city wall, and canals. The city was arranged in several blocks separated with canals [1]. The city of Batavia was completed in 1650. It become the center of VOC in East Indies. The canals was disbanded due to outbreak of tropical diseases within the city wall because of sanitation and hygiene problems. The city began to expand further south as epidemics in 1835 and 1870 encouraged more people to move far south of the port, to Weltevreden area (now the area surrounding Merdeka Square). The city later become the administrative center of colonial Dutch East Indies. In 1942 during the Japanese occupation, the name of the city changes to Jakarta, and now serves as the capital city of Indonesia.
In 1972, the Governor of Jakarta Ali Sadikin issued a decree that officially made the Jakarta Kota area into a heritage site. The governor's decision was necessary in order to preserve the city's architectural roots — or at least what was left of it.
Despite the Governor's Decree, the vicinity remains neglected, as though the majority was pleased just by the issuing of the decree. Not enough was being done to protect and conserve the legacy from the Dutch colonial era.[2]


The Important Sites of Jakarta Old Town





Jembatan Kota Intan drawbridge

Wayang Museum in Jakarta.

As important settlement, urban center, and the center of commerce in Asia since 16th century, Oud Batavia is home of several important historical sites and buildings.[3] The notable sites are:

Luar Batang Mosque
The Port of Sunda Kelapa
Pasar Ikan (Fish Market)
Museum Bahari {Maritime Museum)
Menara Syahbandar (Port Tower)
Kota Intan Drawbridge
Kali Besar (Grootegratch)
Wayang Museum (Former Church of Batavia)
Fatahillah Square
Fine Arts and Ceramics Museum (Former Court of Justice of Batavia)
Jakarta Historical Museum (Former Stadhuis of Batavia)
Cafe Batavia
Toko Merah (Red Store)
Chartered Bank
Bank Indonesia Museum
Bank Mandiri Museum
Jakarta Kota Station (Beos Station)
Glodok and Pinangsia Area (Jakarta Chinatown)
Petak Sembilan
Jin De Yuan Temple (Vihara Dharma Bhakti)
Chandranaya Building
Archieve Building

Now, many remaining historical buildings and architecture are steadily deteriorating; at best, "dilapidated".[4] such as; Museum History of Jakarta (ex-Dutch Indies general governoor palace), Museum Bahari, Sunda Kelapa harbour, and Omni Batavia hotel.
However, there is still much hope in restoring the area, especially with various non-profit organizations, private institutions, and even the government[5] recently stepping up to the plate to rejuvenate Old Jakarta's legacy. Since late 2007, the government closed Pinangsia street and replace it as pedestrian.

References
^ Kota Tua Jakarta booklet, Dinas Kebudayaan dan Permuseuman Pemerintah Provinsi DKI Jakarta
^ 75% of Old Town Crumbling -- No Incentive from the Government, Kompas, March 6, 2006
^ Kota Tua Jakarta booklet, Dinas Kebudayaan dan Permuseuman Pemerintah Provinsi DKI Jakarta
^ Jakarta's Old Town sees hope for revival, IOL
^ Old Town Revitalization Becomes a Priority for Provincial Gov't of DKI Jakarta, Kompas, June 10, 2006
Source : Wikipedia.org
National Monument
The Monumen Nasional (or Tugu Monas, the National Monument tower) is a 450 ft (137 m) tall tower in Central Jakarta, symbolizing the fight for Indonesia's independence. Construction began in 1961 under Sukarno and was not finished until 1975 under Suharto. It is topped by a 14.5 ton bronze flame, which is plated in 35 kg (1,125 troy ounces) of gold.

This golden flame is intended to symbolize the spirit of freedom and the struggle for independence of Indonesian people.[citation needed]
of steel and concrete covered with Italian white marble. On the top of the tower, there's a square terrace that can be reach by visitors by elevator. From here, visitors can see an aerial view of Jakarta. The monument is crowned by gold-coated flame, right on the top of the peak terrace.
The entrance to the monument is located at the north part of Medan Merdeka Park, near the Prince Diponegoro statue. From the entrance and underground ticket box, the visitor gets through a tunnel under stone-pavement around the monument to the central part of the park. On inner part of walls surround the monument in central part of the park, there is a series of statues and reliefs depicted the history on Indonesia that span from ancient empire of Majapahit to the history of modern Indonesia. Visitors can take an elevator up to upper platform beneath the golden flame with a view of Medan Merdeka Park, Istiqlal Mosque, and the city. At the middle part is the Cawan (Indonesian: cup) with viewing middle platform on top of it. The Cawan is a reverted pyramid structure that engulfed the base of towering obelisk shaft. Inside the Cawan there is Ruang Tenang (solemn hall) or Ruang Agung (grand hall) with black marble square walls at the center of it. The four sides of central black marble wall displaying a carved golden gate that houses the text of Indonesian Proclamation of Independence in 1945, Garuda Pancasila (Coat of Arms of Indonesia), the map of Indonesian archipelago, The flag of Indonesia, and the flags of Indonesian provinces. The golden gate is opened several times in a day displaying the text of Indonesian declaration of independence and playing the record of Soekarno's voice reading the declaration. In the lower part inside the base of the monument is an exhibition hall with several dioramas showing the history of Indonesia.


Monument design


The design of the monument is meant to combine elements of masculine and feminine. The design based on Lingga-Yoni, the symbol of fertility in ancient Hindu-Javanese belief. The phallic shaft comes toward the ground and is engulfed by square base meant to symbolize fertility. The square Cawan is the yoni (feminine) part, while the towering obelisk is the lingga (masculine) part. The monument body was made National Monument tower) is a 450 ft (137 m) tall tower in Central Jakarta, symbolizing the fight for Indonesia's independence. Construction began in 1961 under Sukarno and was not finished until 1975 under Suharto. It is topped by a 14.5 ton bronze flame, which is plated in 35 kg (1,125 troy ounces) of gold.

Source : Wikipedia.org

National Museum


MUSEUM NASIONAL
Indonesia National Museum

The Museum National is located on the side of Merdeka Square or Lapangan Merdeka and was built in 1862 at that time Dutch colonial administration realized about the great treasure of Indonesian cultural heritages and long history of Indonesia. The biggest surprised for the Western historians was the fact that historical record in Indonesia showing tremendous level of similarities with those in India, India and Asia mainland in general. The elements of India is the most interesting aspect at one side and the fact of Indonesian ethnography. All these facts had invited various experts to study Indonesia in more intensive and extensive effort. In the field of history the archaeologists, paleontologists, epigraphists, linguistic, paleographic and ceramologists have dedicated themselves for the light of Indonesian history, educated local student to understand their culture which had been a great historians such as Prof. Dr. Poerbatjaraka, Prof. Wiryosuparto, Prof Soekarto, Prof. Soekmono, Prof. I.B. Mantra and many others. In the field of Anthropology even more expert were born, although it is much later such as Prof. Koentjaraningrat.

Deeper study on Hindu tradition has brought into light the eat influence of Indian Epic such as Mahabharata and Ramayana in the life of Javanese and Balinese. Everywhere in the region of Indonesia were found the remains of ancient Hindu kingdoms and culture. The remains either in thee form of monuments and artifacts. This fact has encouraged the establishment of national museum as the center for Indonesian cultural study.

As a national museum, their collection consist of ethnic map, Indonesian relief map, various ethnic cultural objects from cloths, music, house model, and relics. In the field of history, a big number of collection from ancient Hindu kingdoms, and Chinese ceramic from Hand dynasty ( ca. 300 to 220 AD).

History Of National Museum
On April 24, 1778, a group of Dutch intellectuals established a scientific institution under the name Bataviaasch Genotschap van Kunsten en Wetenschappen, (Batavia Society for Arts and Science). This private body had the aim of promoting research in the field of arts and sciences, especially in history, archaeology, ethnography and physics, and publish the various findings.
One of the founders - JCM Radermacher - donated building and a collection of cultural objects and books, which were of great value to start off a museum and library for the society. Due to the growing collections, General Sir Thomas Stamford Raffles built a new premises on Jalan Majapahit No. 3 at the beginning of the 19th century and named it the Literary Society. In the 1862 the Dutch East Indian government decided to build a new museum that would not only serve as an office but also could be used to house, preserve and display the collections.
The Museum was officially opened in 1868 and became known as Gedung Gajah (Elephant House) or Gedung Arca (House of Statues). It was called Gedung Gajah on account of the bronze elephant statue in the front yard donated by King Chulalongkorn from Thailand in 1871. It was also called Gedung Arca because a great variety of statues from different periods are on display in the house.
On February 29, 1950 the Institution became the Lembaga Kebudayaan Indonesia (Indonesian Culture Council) and on September 17, 1962 it was handed over to the Indonesian government and became the Museum Pusat (Central Museum). By decree of the Minister of Education and Culture No. 092/0/1979 of May 28, 1979 it was renamed the Museum Nasional. The Museum Nasional is not only a centre for research and study into the national and cultural heritage, but also functions as an educative, cultural and recreational information centre.
Currently the Museum Nasional houses collections of 109,342 objects under the categories of prehistory, archaeology, ethnography, numismatics-heraldic, geography and historical relics.
In 1994, the museum started with is expansion project. The new building, constructed in the same architectural style as the old, comprises an arena for theatrical performances and more spaces for exhibitions. The building is scheduled for completion this year.

General Information
Opening Times
The Museum Nasional is open from 8.30 am to 2.30 pm on Tuesday, Wednesday, Thursday and Sunday; from 8.30 am to 11.30 am on Friday; and from 8.30 am to 1.30 pm on Saturday.
The Museum is closed on Monday.
Admission Fee
Adults - Rp750
Children under 17 years and students - Rp250
Gift shop
A small gift shop located in the entrance hall has the same opening hours as the rest of The Museum. It offers a selection of books, postcards and reproductions of various exhibits.
Parking
The Museum is situated on jalan Merdeka Barat. The front courtyard can accommodate cars and tour buses.
Tours
The Indonesian Heritage Society conducts tours of the Museum at the following times
English: Tuesday, Wednesday and Thursday 9.30 am & LAST SUNDAY of every month at 10.30 am
Japanese: Tuesday 10 am and FIRST SUNDAY of every month at 10 am
German: Thursday 10 am
The times and dates of guided tours in Dutch and French can be obtained by telephoning the Indonesian Heritage Society Office at Museum Nasional on (62-21) 381 1551 extension 46
Visitors are kindly asked to refrain from smoking, eating and drinking in all areas of the Museum, and are prohibited from touching the exhibits.

COLLECTION
Prehistory
The Prehistoric Age has long time frame, beginning from the presence of man until the emergence of writing differs in every part of the world. From the discovery of ancient human fossils in Indonesia, it is estimated that man lived here around one million years ago. Writing emerged before the 4th century.
Paleontology, the study of Prehistoric periods, explains the lifestyles of prehistoric civilizations through research into their fossilized remains and the artifacts that they made.
The Neolithic era emerged gradually between 2500 BC and 1500 BC when the vast number of people emigrated from the Asian mainland to the Malaysian peninsula, then to the island of Indonesia by sea. The immigrants built dwellings, planted rice on dry land or in irrigated fields and raised cattle. They formed agrarian village communities. This settled lifestyle enabled men to develop their skills in many areas, thus establishing a specific Neolithic culture, examples of which can be seen in this room.
Treasure Room
The Treasure Rooms are divided into two sections - the Archaeology Room and the Ethnography Room. There are about 2,00 items in the Museum's gold and silver collections, the majority of which were found accidentally rather than on organized digs.
Indonesia has been rich in gold and other precious metals for centuries. Artifacts were made using such processes as casting, soldering, riveting an sewing with gold wire, and were decorated by chiseling, the repousse technique (whereby the design is hammered from the inside of an object), and by adding detailed ornamentation.
Due to the biodegradability of the most materials used by the ancient Indonesian kingdoms, relatively little remains for scholars to base their study of these civilizations upon. As a result, since gold does not deteriorate, these objects are treasured not just for their value and decoration but also for their great historical importance. As well as a high level of culture, the gold items reveal a great deal about the life and rituals of the early kingdoms.
In 1990, farmers found a cache of treasure from java's classical Era ( 5th-15th century ) in Wonoboyo, Klaten, Central Java. These exquisite gold and silver items, collectively weighing more than 35 kg, are believed to have been buried in Lava in the early10th century, perhaps due to a major eruption of Mount Merapi. They comprise the largest find in Indonesia this century and are currently displayed in the showcase in the center of the Archaeology treasure room.
The collection in the Ethnography treasure room comprises objects from the 18th to the early 20th centuries. The artifacts are mostly crafted from 14-24 carat gold and many are adorned with precious stones.
Bronze Collection
Bronze is well-represented in the Museum and the collection, which comprises up to 3,199 pieces, is absolutely spectacular.
The Bronze Age in Indonesia is estimated as having begun around the st century BC, and it drastically changed man's way of life both practically and culturally. Bronze is a mixture of copper and tin, and as it has a low melting point, objects were either produced by forging (heating then beating the bronze) or by wax-casting techniques. Bronze axes, ceremonial items and jewelry were the most popular items made.
With the onset of the Classical Age production and casting processes improved, and techniques such as soldering were introduced. Bronze items became more varied, ranging from statues of Buddha for worship to domestic appliances, and their decoration more ornate. Bronze was also used to replace materials that were easily damaged, so the shape of domestic appliances, for example, did not radically change - a water jar would look the same in bronze as it did in terra cotta.
Stone Sculptures
Stone tools and statues have been made by Indonesian civilizations since prehistoric times. The gradual sophistication of these objects and tools used to create them are indicative of cultural progress.The Museum Nasional has a wealth of stone statues in many different forms and sizes, most notably relating to ancestral worship, Hindu gods and goddesses, kings and animals. The statues were usually put in temple alcoves or in the temple's main room (cellar), and the majority of them were discovered in Central Java and Sumatra. Volcanic andesite was most commonly used but many of the East Javanese statues made during the 14th and 15th centuries, were sculpted from sandstone or limestone. As a result of the Hindu-Buddhist influence that was prevalent in Indonesia between the 4th and the 10th centuries, statues created during this period were very similar to those made in East India. Sculptors (silpin). In India had to follow precise rules stated in the Silpasastra book; for example, eyes had to be shaped like lotus (padma) leaves, eyebrows like an archer's bow and arms like an elephants trunk. While these features were copied in Indonesia, the Silpasastra rules were generally not strictly adhered to, and after this period, especially during the Majapahit era (14th and 15th centuries ), statues made throughout the archipelago exuded a more 'Indonesian' style. In the Museum Nasional, Stone Sculpture Collections is included into the Archaeology Section.
Ceramic collection
The ceramics collection differentiates between artifacts originating from countries such as China, Vietnam, Thailand, Myanmar and Japan, and objects made in Indonesia or made in Indonesia or made out of terra cotta. This particular collection gives us a good insight into Indonesia's maritime trade over the countries.
Research indicates that the Chinese sailed to India via Indonesia as early as the Western Han period (205 BC to 220 AD) and that firm trade relation were subsequently established.
The islands of Indonesia were the source of many rare commodities and foreign trades were motivated to undertake long and risky sea voyages to get there. Many ships sank before reaching their journey's and, however.
Their non-perishable cargoes, such as ceramics, which would have been used as barter, were washed ashore. Some items were used as common household utensils but fine ceramics were more rare and much sought after. They become cherished heirlooms and were used during the specials ceremonies for birth, circumcision, marriage and death. Occasionally, they were specially commissioned for a private buyer or given as tributes to local dignitaries.
The nucleus of the Museum Nasional's foreign ceramic collection was donated by the Dutch philanthropist and collector, Egbert Willem van Orsoy de Flines, who also became the first ceramics curator of the Museum in 1959.
Although originating in other countries, the ceramics objects in the Museum collection were all found in Indonesia. As well being objects of great beauty, they form an important part of the nation's history. The Museum National is located on the side of Merdeka Square or Lapangan Merdeka and was built in 1862 at that time Dutch colonial administration realized about the great treasure of Indonesian cultural heritages and long history of Indonesia. The biggest surprised for the Western historians was the fact that historical record in Indonesia showing tremendous level of similarities with those in India, India and Asia mainland in general. The elements of India is the most interesting aspect at one side and the fact of Indonesian ethnography. All these facts had invited various experts to study Indonesia in more intensive and extensive effort. In the field of history the archaeologists, paleontologists, epigraphists, linguistic, paleographic and ceramologists have dedicated themselves for the light of Indonesian history, educated local student to understand their culture which had been a great historians such as Prof. Dr. Poerbatjaraka, Prof. Wiryosuparto, Prof Soekarto, Prof. Soekmono, Prof. I.B. Mantra and many others. In the field of Anthropology even more expert were born, although it is much later such as Prof. Koentjaraningrat.

Deeper study on Hindu tradition has brought into light the great influence of Indian Epic such as Mahabharata and Ramayana in the life of Javanese and Balinese. Everywhere in the region of Indonesia were found the remains of ancient Hindu kingdoms and culture. The remains either in thee form of monuments and artifacts. This fact has encouraged the establishment of national museum as the center for Indonesian cultural study.

As a national museum, their collection consist of ethnic map, Indonesian relief map, various ethnic cultural objects from cloths, music, house model, and relics. In the field of history, a big number of collection from ancient Hindu kingdoms, and Chinese ceramic from Hand dynasty ( ca. 300 to 220 AD).

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